Despite its lack of Oscar nominations, film columnist Adam Osman-Krinsky PO ’25 explains how “C’mon C’mon” represents the future of the film industry.
“Don’t Look Up” is a clunky attempt at critiquing climate change, writes film columnist Gerrit Punt PO ’24, and you’re not automatically a climate denier for not liking it.
Despite recent praise, the 2021 remake of “West Side Story” is not that revolutionary of a film, argues film columnist Adam Osman-Krinsky PO ’25.
While “The French Dispatch” deserved an Oscar nomination, its lack of one doesn’t actually matter that much, explains Gerrit Punt PO ’24.
For a psychological thriller, “Nightmare Alley” doesn’t leave a lingering impression or haunt the mind — never mind give nightmares, TV and film columnist Rorye Jones PO ’23 argues.
“Lunana: A Yak in the Classroom” honors Bhutan’s heritage while offering universally-relatable themes, film columnist Adam Osman-Krinsky PO ’25 writes.
Following a difficult year for movies, the 93rd Academy Awards honored the best in film, with momentous wins and shocking upsets.
TSL columnist Caelan Reeves CM ’24 writes about this year’s diverse Oscar nominations and the cost of pleasing the Academy.
Film columnist Ben Hafetz PZ ’20 discusses the predictable, the mighty and the snubbed of the 92nd Academy Awards.
Ultimately, the 2019 Academy Awards provided an entertaining buildup to the evening’s true failure: the “Green Book” Best Picture win.