“The Northman” is overly violent and unpleasant to watch, frightful in both senses. According to film columnist Adam Osman-Krinsky PO ’25, revenge in this revenge film is not justified.
Author: Adam Osman-Krinsky
Being reel: Jerrod Carmichael’s new special captures cultural confusion with brutal honesty
Film columnist Adam Osman-Krinsky PO ’25 dissects Jerrod Carmichael’s new special “Rothaniel,” explaining how it speaks to the confusion of a post-pandemic society.
Being reel: Why the originality of ‘C’mon C’mon’ deserved more recognition
Despite its lack of Oscar nominations, film columnist Adam Osman-Krinsky PO ’25 explains how “C’mon C’mon” represents the future of the film industry.
Being reel: ‘West Side Story’ (2021) is a remake that succeeds at all the wrong things
Despite recent praise, the 2021 remake of “West Side Story” is not that revolutionary of a film, argues film columnist Adam Osman-Krinsky PO ’25.
Being reel: Language should not be a barrier to watching good movies
Don’t let the subtitles intimidate you — watching foreign films can expand our understanding of what films can be, says film columnist Adam Osman-Krinsky PO ’25.
Being reel: Bhutan’s first Academy Award nominated film redefines purpose
“Lunana: A Yak in the Classroom” honors Bhutan’s heritage while offering universally-relatable themes, film columnist Adam Osman-Krinsky PO ’25 writes.
Being reel: A second virtual Sundance Film Festival offers sci-fi, social commentary and nostalgia
The 2022 Sundance Film Festival films explored themes like liberal guilt, post-grad life and tech culture, explains film columnist Adam Osman-Krinsky PO ’25.