In anticipation of Sophia Coppola’s return to Hollywood with “Priscilla,” film columnist Hannah Elliot SC ‘24 looks back on Coppola’s magnum opus: “Lost in Translation.”
Pop culture columnist Hannah Eliot SC ’24 analyzes the impact of “The Godfather” ahead of its 50th anniversary re-release.
While “The French Dispatch” deserved an Oscar nomination, its lack of one doesn’t actually matter that much, explains Gerrit Punt PO ’24.
“Lunana: A Yak in the Classroom” honors Bhutan’s heritage while offering universally-relatable themes, film columnist Adam Osman-Krinsky PO ’25 writes.
Steven Spielberg’s recent efforts to restrict Oscar eligibility of films released through Netflix and Hulu undermines the value of streaming services to disseminate information.
Ultimately, the 2019 Academy Awards provided an entertaining buildup to the evening’s true failure: the “Green Book” Best Picture win.
Helen Yenser SC ’17 won an Oscar at the 2019 Academy Awards for her work on the documentary short “Period. End of Sentence.”
CW: Mentions of sexual assault and violence “Bohemian Rhapsody” won Best Motion Picture – Drama at the 2019 Golden Globes in early January. A few weeks later, the film was nominated for best picture at the upcoming 2019 Oscars. The film’s award performance is surprising for two reasons. First, the
I saw “Roma” in a sold out 3:20 p.m. showing at the IFC Theater in New York City and was floored by the film. However, most of those who see writer/director Alfonso Cuarón’s newest masterpiece will not see it in a theater, but instead stream it on Netflix. Why was