Searching for a horror movie? Take “Lamb” (2021) off your list. Due to its absurd plot and visuals, “Lamb” lands closer to comedy than horror, TV and film columnist Rorye Jones PO ’23 claims.
“Tick, Tick… Boom!” is more than just a film adaptation of a musical, writes Caelan Reeves CM ’24.
In a compelling act of reclaiming her own past, Kristen Stewart powerfully embodies the People’s Princess’ nuances in “Spencer,” for which she deserves an Academy Award, argues Eliza Powers PO ’25.
With an epic soundtrack, breathtaking visuals, and top-tier acting, “Dune” goes down in history as a successful book-to-film adaptation, TV and film columnist Rorye Jones PO ’23 asserts.
TV columnist Simone Bogedal PO ’24 explores how the examination of appearances on social media in “Black Mirror” can apply to our current lives.
Pop culture columnist Caelan Reeves CM ’24 argues that The Hunger Games franchise offers more than a surface-level story for young adults.
The authentic film “Zola” (2021) breaks degrading Hollywood stereotypes with its depiction of stripping, TV and film columnist Rorye Jones PO ’23 writes.
Following a difficult year for movies, the 93rd Academy Awards honored the best in film, with momentous wins and shocking upsets.
Criticism of “The Wolf of Wall Street” often stems from issues with its fanbase rather than the movie itself, says TV and film columnist Rorye Jones PO ’23.
If you’ve been thinking about watching Netflix’s “Rebecca” (2020) — don’t, warns TV and film columnist Rorye Jones PO ’23.