What’s scarier than a swamp in Texas? Probably the murderous making of an adult film on a swamp in Texas. That is exactly the plot of “X,” which TV & film columnist Rory Jones PO ’22 argues is a fresh take on the classic slasher format.
The Australian film “Sissy” is funny and frightening, a perfect horror comedy combo writes film and television columnist Rorye Jones PO `23.
True crime fans: be wary of the glamorization of violence, writes TV and film columnist Rorye Jones PO ’23.
“Summer of Soul” is a beautifully edited, contextualized time capsule of late-60s Black America in Harlem, pop culture columnist Hannah Eliot SC ’24 writes.
Pop culture columnist Hannah Eliot SC ’24 analyzes the impact of “The Godfather” ahead of its 50th anniversary re-release.
If you’ve noticed that movies seem to be getting longer, you’re not alone. Inspired by the nearly 3-hour-long movie “The Batman,” TV and film columnist Rorye Jones PO ’23 breaks down this phenomenon.
For a psychological thriller, “Nightmare Alley” doesn’t leave a lingering impression or haunt the mind — never mind give nightmares, TV and film columnist Rorye Jones PO ’23 argues.
“Lunana: A Yak in the Classroom” honors Bhutan’s heritage while offering universally-relatable themes, film columnist Adam Osman-Krinsky PO ’25 writes.
Despite the intimidation of breaking into the Marvel universe, “Spiderman: No Way Home” is a good start, argues columnist Rorye Jones PO ’24.
Searching for a horror movie? Take “Lamb” (2021) off your list. Due to its absurd plot and visuals, “Lamb” lands closer to comedy than horror, TV and film columnist Rorye Jones PO ’23 claims.