Changing Cinema: How Bong Joon-Ho transcended the subtitle barrier and put international films in the American mainstream

Film columnist Peter Dien CM ’25 compares two other Bong Joon-Ho films hoping to uncover the winning formula of “Parasite” and the differences between films for American and Korean viewers.

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Behind the Screen: The screenlife genre and connection in the internet age

In recent years, the screenlife film genre has translated anxiety-ridden aspects of internet scrolling onto the big screen. In this week’s film column, Peter Dien CM ’25 explores the nuance of this growing genre.

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