OPINION: The new cosmetic dystopia

The pursuit of an aesthetic ideal is driving many to alter themselves in irreversible ways. Zena Almeida-Warwin PO ’28 and Anna Yost PO ’28 examine the growing popularity of keratopigmentation, a procedure that permanently changes eye color. With most patients having naturally dark-brown eyes and a majority being Black or Hispanic, this trend reveals how deeply Western standards distort self-perception, turning cosmetic procedures into tools of self-erasure.

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Upcoming comedy cookout hopes to support first-time home buyers

The stand-up comedy fundraiser Laughs & Grills: A Comedy Cookout, hosted by the nonprofit Living Life Through Love (LLTL), which focuses on providing affordable housing solutions for underserved communities, will take place from 4 to 7 p.m. Sunday, Oct. 13 at Rose Hills Theater.

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Jay Carlon’s ‘Wake’ is a dance piece for collective grief and queer post-colonial identity

Filipinx dance artist and activist Jay Carlon performed an excerpt from their work “Wake” at Scripps College’s Richardson Dance Studio on Nov. 8. “Wake” is a queer post-colonial reimagination of Bisaya rituals for grieving and healing, inspired by Filipinx traditions. Carlon, who sees dance as a tool for liberation, choreographed the piece as an exploration of individual and collective grief during the COVID-19 pandemic. Carlon envisions future performances in spaces designed for queer audiences, emphasizing the importance of creating a world that suits the needs of marginalized communities.

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We Outside! People of Color Outside creates opportunities for minorities to connect with the outdoors

People of Color Outside (POCO) creates a safe, inclusive and affordable space for people of color to engage with each other and the environment in the outdoors, building skills and having fun.

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Thinking Its Presence conference confronts violence inflicted upon BIPOC psyche

From March 30 through April 2, the interdisciplinary conference “Thinking Its Presence: Racial Vertigo, BlackBrown Feelings, and Significantly Problematic Objects” took place at Pomona College. The 40+ events in the conference included BIPOC scholars, activists, artists and authors. Attendees engaged in workshops and panels combining aesthetic, spiritual, performance-based and conversational approaches to explore the violence inflicted upon the psyche and affective states of BIPOC individuals.

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