In the second installment of her “Off the Shelf” column, Corina Yi PO ’28 reviews K-Ming Chang’s short story collection “Gods of Want.” Featuring cigarette-ad models coming to life, ghost-cousins, shape-shifting daughters, various nameless widows and nine-headed birds, the collection blurs the line between realism
Arts & Culture
A Girl’s Guide to Terrible Men: Men think they invented liking “The Godfather”
When columnist Bianca Mirica PO’29 was fourteen, her father decided it was time to watch “The Godfather” together. Years later, Mirica reflects on the iconic film’s male power dynamics, Al Pacino’s face card, and all of “The Godfather”’s unsung heroes — the women.
Audrey Between Frames: ‘The Boroughs’ contention with ageism is weighed down by Netflix banality
Audrey Green SC ’27 partially praises Netflix’s new sci-fi thriller “The Boroughs” for its novel concept. Moving past the script’s quippy nature and poor execution, the show was thematically provocative, especially for those with a deep-seated fear of being deemed nonsensical.
What Makes Us Human: Five things AI can’t replicate
In her first column, Kira Heller ’29 dives into her thoughts about what makes humans distinct amid the rapid growth of artificial intelligence. She uses Notre Dame’s DELTA framework to explore five human qualities that AI can’t replace: dignity, embodiment, love, transcendence and agency.
Looking for New York: Inside Canal Street’s illicit counterfeit market
On Canal Street in Lower Manhattan, one can find a Gucci bag for $60, a Knicks jersey for $30 and a Valentino fragrance for $15. Or at least, that’s what the vendors say. We know that the items are fake. But does it matter? Columnist Arianna Kaplan SC ’27 investigates the illegal counterfeit market in New York and examines the role of our purchasing power in the illicit counterfeit market.
The Writing Process: Narrative Space and the New York Knicks
What happens when a writer has too much good material? Otto Fritton PZ ‘27 returns with his not-so-weekly column, The Writing Process. In this edition, he covers Elmore Leonard, widely regarded as the master of crime pacing and dialogue. In “Get Shorty,” that tension manifests in Bo Catlett, whose unrealized potential becomes the novel’s most revealing loose end.
Looking for New York: A love letter to the rats of NYC
In New York, rats are everywhere. In Malibu, not so much. Why is it that we are so viscerally disgusted by rats, so instinctively opposed to their presence?
A Girl’s Guide to Terrible Men: Tony Soprano was never just for the boys
In her first column, “A Girl’s Guide to Terrible Men,” Bianca Mirica PO ’29 examines why women who love mafia stories are so often regarded as performative.
Off the Shelf: Tony Tulathimutte’s short story collection satirizes modern rejection
To kick off her “Off the Shelf” column, where she reviews books with a pop culture twist, Corina Yi dives into Tony Tulathimutte’s “Rejection.” The book is a reminder of everything not to do in the face of rejection — featuring lots of bad sex, unflattering moments, insufferable characters and riffs on millennial internet culture.
Last month, the Claremont Colleges opted into 100 percent renewable electricity. Here’s how student pressure made it happen.
As the co-leaders of the campaign, we want to clarify what this win means, why it matters, and how we got here. Our win is a testament to the power of grassroots student organizing. But despite our excitement that the Claremont Colleges have moved away from fossil fuel-driven electricity, we must recognize that this decision should have been a no-brainer for the Colleges.