The Writing Process: Narrative Space and the New York Knicks

What happens when a writer has too much good material? Otto Fritton PZ ‘27 returns with his not-so-weekly column, The Writing Process. In this edition, he covers Elmore Leonard, widely regarded as the master of crime pacing and dialogue. In “Get Shorty,” that tension manifests in Bo Catlett, whose unrealized potential becomes the novel’s most revealing loose end.

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Where is your Ballon d’Or? Don’t need it

Otto Fritton PZ ’27 likes to look at the “what-if.” Few careers saddened him more than that of Neymar da Silva Santos Júnior, a man who influenced an entire generation without ever quite fulfilling his potential. Yet, despite his shortcomings, Fritton wonders if it even matters. Perhaps Neymar shouldn’t be judged on what he didn’t accomplish, but on the generation he inspired.

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American in Reims: Searching for the Magical Abroad Experience

Stuck in a foreign land, Otto Fritton PZ ’27 finds himself confused. After hearing months of promises about the “study abroad” semester, he wonders if he held his expectations too high. The champagne city of Reims has given Fritton his first experience of smaller-town life, and he remains uncertain if it is the person or the place that makes study abroad? Or, is it both?

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Chasing the ghosts of Mourinho’s Chelsea: Arsenal’s impossible task

Sitting atop the Premier League, Arsenal is currently facing the impossible task of breaking Chelsea’s record-breaking 2004-05 season, in which they conceded just 15 goals. Ten games into the season, the Gunners have conceded three goals in 10 games, and are currently on track to break the record. Otto Fritton PZ ’27 discusses Arsenal’s true chances of breaking the records, as well as the problems they may face en route.

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The Writing Process: How not to compute your writing

Otto Fritton PZ ’27 used to write like he was solving a math equation. Mimicking others’ writing like a copy-and-paste equation, his stories continued to reflect a stubborn, rushed voice that ultimately left him humiliated. His new formula: Ignore the easy solution.

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The Writing Process: Park benches, 80s synthpop and Toni Morrison

Writing and divining a story is an exercise in extremes, superstitions and eccentricities. From Jack Kerouac’s amphetamine-fueled writing benders that birthed “On The Road” to the rigor and intentionality that bore Toni Morrison’s “The Bluest Eye,” the rituals that create the craft bear the marks on the work itself. Otto Fritton, PZ ‘27 provides a view into his ritual and the authors he is inspired by as he wraps up his first manuscript.

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