After two trips to Hong Kong interviewing at protests, Trevor Klein CM ’24 earned a spot in the Tokyo International Short Film Festival for his documentary.
Pop culture columnist Anna Tolkien CM ’24 reflects on the Venice Film Festival and representation in the film industry.
Anais Rivero PZ ’22 examines the unequal treatment of characters in Netflix’s new film ‘The Half of It,’ and why praising the film for its representation may be undeserved.
Film columnist Ben Hafetz PZ ’20 dishes up more top films of the 2010s, analyzing the scenes in each of them that will stay with you into the 2020s.
Film columnist Hannah Avalos PO ’21 discusses the French Netflix film “I Lost My Body,” and why it can help viewers who feel purposeless. “‘I Lost My Body’ … teaches us that we’re not beholden to the world. When it seems the whole world is falling apart around us, we can still do something about it,” she writes.
Film columnist Ben Hafetz PZ ’20 takes a look back at the best films of the 2010s, and the scenes that made them the greatest of the decade.
Film columnist Hannah Avalos PO ’21 discusses the value of “Marriage Story” and its message to pursue love despite inevitable hardships.
Film columnist Ben Hafetz PZ ’20 reviews “Parasite,” the winner of the 2019 Sundance Palme d’Or and the film that has put director Bong Joon-ho in the limelight. “‘Parasite’ will be looked upon as a decade-defining film. Whether it be the camera, set design, themes, details, story, characters or gut-punch of an ending, it succeeds on every level,” he writes.
The Reel Talk column offers four topical movie and snack pairings that will satiate your hungry film-going stomach.
The Laemmle Claremont 5 theater’s future is in limbo as part of the Southern Californian moviehouse chain is put on the market.