Chilling horror and sensitive teenage love make “Bones and All” a cannibal romance for the ages, writes film columnist Hannah Eliot SC ’24.
Author: Hannah Eliot
Film files: ‘Moonage Daydream’ pulls us back into Bowie’s orbit
The new David Bowie documentary “Moonage Daydream” paints the artist in a light not often seen, writes film columnist Hannah Eliot SC `24
Film files: ‘Industry’ finds comfort in chaos
HBO’s “Industry” is intense, hypnotic and well worth watching, states television and film columnist Hannah Eliot SC `24.
Film files: ‘The Rehearsal’ is Nathan Fielder’s dizzying magnum opus
Nathan Fielder’s new show “The Rehearsal” isn’t as unethical as it seems, argues TV and film columnist Hannah Eliot SC `24.
Film files: Summer films and TV shows to cure your finals-week blues
Need an excuse to procrastinate, or want something to look forward to after finals? Film columnist Hannah Eliot SC ’24 has you covered with film and TV recommendations.
Film files: ‘Summer of Soul’ is a testament to Black unity and pride
“Summer of Soul” is a beautifully edited, contextualized time capsule of late-60s Black America in Harlem, pop culture columnist Hannah Eliot SC ’24 writes.
Film files: How ‘The Godfather’ baptized American cinema
Pop culture columnist Hannah Eliot SC ’24 analyzes the impact of “The Godfather” ahead of its 50th anniversary re-release.
Film files: ‘The Worst Person in the World’ captures aching crises of youth and identity
“The Worst Person In The World” shows how life-altering decisions reveal what it means to be human, says film columnist Hannah Eliot SC ’24.
Film files: The breathless, brutal world of Pedro Almodóvar’s ‘Parallel Mothers’
Pedro Almodóvar’s latest film “Parallel Mothers” is a tender and intimate exploration of motherhood, film columnist Hannah Eliot SC ’24 asserts.
Film files: You don’t get to hate ‘The Last Black Man in San Francisco’ unless you love it
Though its exploration of gentrification can be shallow, “The Last Black Man in San Francisco” is a heartfealt meditation on the meaning of a home, argues film columnist Hannah Eliot SC ’24.