Chilling horror and sensitive teenage love make “Bones and All” a cannibal romance for the ages, writes film columnist Hannah Eliot SC ’24.
True crime fans: be wary of the glamorization of violence, writes TV and film columnist Rorye Jones PO ’23.
“Summer of Soul” is a beautifully edited, contextualized time capsule of late-60s Black America in Harlem, pop culture columnist Hannah Eliot SC ’24 writes.
Pop culture columnist Hannah Eliot SC ’24 analyzes the impact of “The Godfather” ahead of its 50th anniversary re-release.
For a psychological thriller, “Nightmare Alley” doesn’t leave a lingering impression or haunt the mind — never mind give nightmares, TV and film columnist Rorye Jones PO ’23 argues.
Though its exploration of gentrification can be shallow, “The Last Black Man in San Francisco” is a heartfealt meditation on the meaning of a home, argues film columnist Hannah Eliot SC ’24.
Searching for a horror movie? Take “Lamb” (2021) off your list. Due to its absurd plot and visuals, “Lamb” lands closer to comedy than horror, TV and film columnist Rorye Jones PO ’23 claims.
With an epic soundtrack, breathtaking visuals, and top-tier acting, “Dune” goes down in history as a successful book-to-film adaptation, TV and film columnist Rorye Jones PO ’23 asserts.
Pop culture columnist Caelan Reeves CM ’24 argues that The Hunger Games franchise offers more than a surface-level story for young adults.
If you’ve been thinking about watching Netflix’s “Rebecca” (2020) — don’t, warns TV and film columnist Rorye Jones PO ’23.