Film files: The haunting tenderness of ‘Bones and All’

Chilling horror and sensitive teenage love make “Bones and All” a cannibal romance for the ages, writes film columnist Hannah Eliot SC ’24.

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Scene it: The rise of true crime & the voyeurism of violence

True crime fans: be wary of the glamorization of violence, writes TV and film columnist Rorye Jones PO ’23.

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Scene it: Meet ‘Nightmare Alley,’ a nightmare of an Oscar nominee

For a psychological thriller, “Nightmare Alley” doesn’t leave a lingering impression or haunt the mind — never mind give nightmares, TV and film columnist Rorye Jones PO ’23 argues.

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Film files: You don’t get to hate ‘The Last Black Man in San Francisco’ unless you love it

Though its exploration of gentrification can be shallow, “The Last Black Man in San Francisco” is a heartfealt meditation on the meaning of a home, argues film columnist Hannah Eliot SC ’24.

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Scene it: ‘Dune’ adds ‘spice’ to the big screen

With an epic soundtrack, breathtaking visuals, and top-tier acting, “Dune” goes down in history as a successful book-to-film adaptation, TV and film columnist Rorye Jones PO ’23 asserts.

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