Animated Film Features: ‘The Super Mario Galaxy Movie’ not the smoothest launch

In a departure from the usual anime movie fare, Columnist Joon Kim PO ’26 blasts off into the Mushroom Kingdom and beyond as he takes a look at Illumination and Nintendo’s newest endeavor: the long-awaited sequel to the original “Super Mario Bros Movie” from 2023. He appreciates the creative set pieces and various homages to the video games in “The Super Mario Galaxy Movie,” yet finds that the cavalcade of references ultimately distract from the otherwise barebones plot.

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Horror Hour: Challenging the Male Gaze and Embracing Feminist Revenge in ‘Jennifer’s Body’

With a spooky season in full swing, horror columnist Anna Peterson SC ‘25 takes a look back at “Jennifer’s Body” and its evolving reputation from a critical flop to cult classic.

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Frame rating: ‘Don’t Look Up’ is a disaster of astronomical proportions

“Don’t Look Up” is a clunky attempt at critiquing climate change, writes film columnist Gerrit Punt PO ’24, and you’re not automatically a climate denier for not liking it.

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Scene it: Meet ‘Nightmare Alley,’ a nightmare of an Oscar nominee

For a psychological thriller, “Nightmare Alley” doesn’t leave a lingering impression or haunt the mind — never mind give nightmares, TV and film columnist Rorye Jones PO ’23 argues.

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Film files: You don’t get to hate ‘The Last Black Man in San Francisco’ unless you love it

Though its exploration of gentrification can be shallow, “The Last Black Man in San Francisco” is a heartfealt meditation on the meaning of a home, argues film columnist Hannah Eliot SC ’24.

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Scene it: ‘Dune’ adds ‘spice’ to the big screen

With an epic soundtrack, breathtaking visuals, and top-tier acting, “Dune” goes down in history as a successful book-to-film adaptation, TV and film columnist Rorye Jones PO ’23 asserts.

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