Pop culture columnist Anna Tolkien CM ’24 reviews the authenticity of the world of academia presented in Netflix’s “The Chair.”
Tag: Netflix
Scene it: Watching ‘Sweet Tooth’ was like pulling teeth
From uncanny visuals to a lifeless plot, “Sweet Tooth” is not worth your watch, TV and film columnist Rorye Jones PO ’23 argues.
Film philosophy: ‘Love, Death & Robots’ values individual change over unrealistic goals
The episode “Pop Squad” from “Love, Death & Robots” asserts that we are responsible for individual-level change when societal change is unfeasible, argues TV columnist Simone Bogedal PO ’24.
Scene it: The only mystery in Netflix’s ‘Rebecca’ is why it exists
If you’ve been thinking about watching Netflix’s “Rebecca” (2020) — don’t, warns TV and film columnist Rorye Jones PO ’23.
Front of house: The underwhelming excess of ‘Ginny & Georgia’
Netflix’s “Ginny & Georgia,” with its dramatic fake-woke dialogue and excessive plots, turns out underwhelming, Caelan Reeves CM ’24 writes.
Scene it: The constructive modernity of ‘Bridgerton’ should not have stopped at consent
With modern social attitudes and glittery costumes, “Bridgerton” caters more to moral messages than historical accuracy — so glossing over rape sticks out as a major error, TV and film columnist Rorye Jones PO ’23 asserts.
Let’s spill the pop-culture tea: ‘To All the Boys’ final installment is an honest, if simple, depiction of growing up
Pop culture columnist Anna Tolkien CM ’24 explores the depiction of common teenage challenges in “To All The Boys: Always and Forever.”
Scene it: Beth Harmon’s attack on obliging femininity in ‘The Queen’s Gambit’
TV and film columnist Rorye Jones PO ’23 discusses how Beth Harmon’s character in “The Queen’s Gambit” helps redefine how femininity is portrayed on-screen.
Let’s spill the pop-culture tea: Escape with ‘Emily in Paris’
Pop culture columnist Anna Tolkien CM ’24 discusses “Emily in Paris” and why everyone should take the imaginary escape to Paris and watch it.
Front of house: ‘Trial of the Chicago 7’ reintroduces a landmark case to today’s audience
Pop culture column Caelan Reeves CM ’24 reviews Aaron Sorkin’s latest film “Trial of the Chicago 7” currently streaming on Netflix.