Pop culture columnist Anna Tolkien CM ’24 reviews the authenticity of the world of academia presented in Netflix’s “The Chair.”
From uncanny visuals to a lifeless plot, “Sweet Tooth” is not worth your watch, TV and film columnist Rorye Jones PO ’23 argues.
The episode “Pop Squad” from “Love, Death & Robots” asserts that we are responsible for individual-level change when societal change is unfeasible, argues TV columnist Simone Bogedal PO ’24.
If you’ve been thinking about watching Netflix’s “Rebecca” (2020) — don’t, warns TV and film columnist Rorye Jones PO ’23.
Netflix’s “Ginny & Georgia,” with its dramatic fake-woke dialogue and excessive plots, turns out underwhelming, Caelan Reeves CM ’24 writes.
With modern social attitudes and glittery costumes, “Bridgerton” caters more to moral messages than historical accuracy — so glossing over rape sticks out as a major error, TV and film columnist Rorye Jones PO ’23 asserts.
Pop culture columnist Anna Tolkien CM ’24 explores the depiction of common teenage challenges in “To All The Boys: Always and Forever.”
TV and film columnist Rorye Jones PO ’23 discusses how Beth Harmon’s character in “The Queen’s Gambit” helps redefine how femininity is portrayed on-screen.
Pop culture columnist Anna Tolkien CM ’24 discusses “Emily in Paris” and why everyone should take the imaginary escape to Paris and watch it.
Pop culture column Caelan Reeves CM ’24 reviews Aaron Sorkin’s latest film “Trial of the Chicago 7” currently streaming on Netflix.