As much as it has helped, social media has also harmed victims of police violence by reducing them to symbols, Caelan Reeves CM ’24 writes.
Marvel movies aren’t bad, per se, they’re just better judged as events than movies, pop culture columnist Caelan Reeves CM ’24 writes.
Pop culture columnist Caelan Reeves CM ’24 discusses the trend of lackluster content creation from influencers trying to branch out into new fields.
TSL columnist Caelan Reeves CM ’24 writes about this year’s diverse Oscar nominations and the cost of pleasing the Academy.
Netflix’s “Ginny & Georgia,” with its dramatic fake-woke dialogue and excessive plots, turns out underwhelming, Caelan Reeves CM ’24 writes.
Beneath the lighthearted humor of popular cop shows such as Brooklyn Nine-Nine lies insidious “copaganda,” pop culture columnist Caelan Reeves CM ’24 argues.
Pop culture columnist Caelan Reeves CM ’24 believes that Michael Bay’s new film, “Songbird” is insensitive to those suffering because of COVID-19.
Pop culture column Caelan Reeves CM ’24 reviews Aaron Sorkin’s latest film “Trial of the Chicago 7” currently streaming on Netflix.
Pop culture columnist Caelan Reeves outlines the most ethical way to support causes like Black Lives Matter using social media.
Pop Culture Columnist Caelan Reeves CM ’24 analyzes how the pandemic has pushed consumers away from luxury fashion brands and caused celebrities to be “canceled” because of insensitive displays of wealth.