Scene it: The rise of true crime & the voyeurism of violence

True crime fans: be wary of the glamorization of violence, writes TV and film columnist Rorye Jones PO ’23.

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Lights, camera, casting: Unpacking race and representation on ‘Bridgerton’

Because of its inconsistency with discussing race and culture, season two of “Bridgerton” continues the first season’s failure at genuinely portraying a post-racial society, argue Sridha Chadalavada PO ’24 and Anuradha Krishnan PO ’24.

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‘Passing’ film screening and Q&A deepen conversations about race, identity and desire

On Feb. 24, the Pomona College English and Media Studies Departments hosted a screening of the 2021 film “Passing,” accompanied by a discussion with Pomona English professor Cherene Sherrard-Johnson and Pomona theater and dance professor Carolyn Ratteray.

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Film files: You don’t get to hate ‘The Last Black Man in San Francisco’ unless you love it

Though its exploration of gentrification can be shallow, “The Last Black Man in San Francisco” is a heartfealt meditation on the meaning of a home, argues film columnist Hannah Eliot SC ’24.

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