Film files: You don’t get to hate ‘The Last Black Man in San Francisco’ unless you love it

Though its exploration of gentrification can be shallow, “The Last Black Man in San Francisco” is a heartfealt meditation on the meaning of a home, argues film columnist Hannah Eliot SC ’24.

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Being reel: A second virtual Sundance Film Festival offers sci-fi, social commentary and nostalgia

The 2022 Sundance Film Festival films explored themes like liberal guilt, post-grad life and tech culture, explains film columnist Adam Osman-Krinsky PO ’25.

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‘A flicker of hope:’ Trevor Klein CM ’24 documents Hong Kong protests, lands place in international film festival

After two trips to Hong Kong interviewing at protests, Trevor Klein CM ’24 earned a spot in the Tokyo International Short Film Festival for his documentary.

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