“The Northman” is overly violent and unpleasant to watch, frightful in both senses. According to film columnist Adam Osman-Krinsky PO ’25, revenge in this revenge film is not justified.
True crime fans: be wary of the glamorization of violence, writes TV and film columnist Rorye Jones PO ’23.
Film columnist Adam Osman-Krinsky PO ’25 dissects Jerrod Carmichael’s new special “Rothaniel,” explaining how it speaks to the confusion of a post-pandemic society.
Film columnist Gerrit Punt PO ’24 explains how, sometimes, the cheesiest movies can be the most enjoyable to watch.
Despite its lack of Oscar nominations, film columnist Adam Osman-Krinsky PO ’25 explains how “C’mon C’mon” represents the future of the film industry.
“Don’t Look Up” is a clunky attempt at critiquing climate change, writes film columnist Gerrit Punt PO ’24, and you’re not automatically a climate denier for not liking it.
If you’ve noticed that movies seem to be getting longer, you’re not alone. Inspired by the nearly 3-hour-long movie “The Batman,” TV and film columnist Rorye Jones PO ’23 breaks down this phenomenon.
Despite recent praise, the 2021 remake of “West Side Story” is not that revolutionary of a film, argues film columnist Adam Osman-Krinsky PO ’25.
While “The French Dispatch” deserved an Oscar nomination, its lack of one doesn’t actually matter that much, explains Gerrit Punt PO ’24.
Don’t let the subtitles intimidate you — watching foreign films can expand our understanding of what films can be, says film columnist Adam Osman-Krinsky PO ’25.