In this week’s film column, Ben Hafetz PZ ’20 reviews Todd Phillips’ “Joker,” arguing against those who claim the film is a glorification of mass violence committed by white men.
Film
Reel talk: Lorene Scafaria’s star-studded “Hustlers” hustles its way into your heart
In this week’s film column, Rachael Diamond SC ’21 reviews “Hustlers,” praising its dramatic, yet touching portrayal of female friendship amidst financial hardship. She writes, “Regardless of the questionable moral dynamics at play, you leave the theater in utter admiration of Destiny’s and Ramona’s tenacity … a testament to the powerful allure of the film — and of money itself.”
Scene one, hot take one: Brad Pitt gives otherworldly performance in ‘Ad Astra’
Ben Hafetz PZ ’20 reviews “Ad Astra” in this week’s TV column, praising Brad Pitt’s powerful and nuanced performance.
Reel talk: Four movie/snack pairings to satisfy your cinematic and culinary cravings
The Reel Talk column offers four topical movie and snack pairings that will satiate your hungry film-going stomach.
Scene one, hot take one: The three diamonds in the rough of a barren cinematic summer
Among the best movies of the summer are “Once Upon a Time in Hollywood,” “The Beach Bum” and “Under the Silver Lake”
Reel Talk: Claire Denis’s ‘High Life’ is a brutal yet tender expedition into space and human spirit
Director Claire Denis’ new film “High Life” combines stunning visuals with a somewhat bizarre, provocative plot.
Scene one, hot take one: FilmStruck is dead, long live the Criterion Channel
After the streaming service FilmStruck shut down, fans turned to the Criterion Channel. Here are five of the best movies on the platform.
Reel talk: Why Alfonso Cuarón’s “Children of Men” is more relevant now than ever
Though the film is set in the year 2027, the world of “Children of Men” feels devastatingly real in comparison to our world today.
Scene one, hot take one: ‘Dragged Across Concrete,’ the tightrope act of satire
The conservative propaganda in “Dragged Across Conrete” turns into a satire of police violence that hides behind a well-made action film.
Scene one, hot take one: ‘Us’ shows horrors of haves, have-nots
With “Us,” Jordan Peele has created a phenomenal follow-up to “Get Out,” cementing himself as the most exciting voice in horror films today.