Film columnist Ben Hafetz PZ ’20 takes a look back at the best films of the 2010s, and the scenes that made them the greatest of the decade.
Ben Hafetz PZ ’20 discusses “Portrait of a Lady on Fire”‘s artful and aching portrayal of first love and why it warranted an Oscar nod.
Film columnist Ben Hafetz PZ ’20 discusses the predictable, the mighty and the snubbed of the 92nd Academy Awards.
Film columnist Ben Hafetz PZ ’20 reviews “Parasite,” the winner of the 2019 Sundance Palme d’Or and the film that has put director Bong Joon-ho in the limelight. “‘Parasite’ will be looked upon as a decade-defining film. Whether it be the camera, set design, themes, details, story, characters or gut-punch of an ending, it succeeds on every level,” he writes.
In this week’s film column, Ben Hafetz PZ ’20 reviews Todd Phillips’ “Joker,” arguing against those who claim the film is a glorification of mass violence committed by white men.
Ben Hafetz PZ ’20 reviews “Ad Astra” in this week’s TV column, praising Brad Pitt’s powerful and nuanced performance.
Among the best movies of the summer are “Once Upon a Time in Hollywood,” “The Beach Bum” and “Under the Silver Lake”
After the streaming service FilmStruck shut down, fans turned to the Criterion Channel. Here are five of the best movies on the platform.
The conservative propaganda in “Dragged Across Conrete” turns into a satire of police violence that hides behind a well-made action film.
With “Us,” Jordan Peele has created a phenomenal follow-up to “Get Out,” cementing himself as the most exciting voice in horror films today.