Film columnist Ben Hafetz PZ ’20 reviews “Parasite,” the winner of the 2019 Sundance Palme d’Or and the film that has put director Bong Joon-ho in the limelight. “‘Parasite’ will be looked upon as a decade-defining film. Whether it be the camera, set design, themes, details, story, characters or gut-punch of an ending, it succeeds on every level,” he writes.
In this week’s film column, Ben Hafetz PZ ’20 reviews Todd Phillips’ “Joker,” arguing against those who claim the film is a glorification of mass violence committed by white men.
Ben Hafetz PZ ’20 reviews “Ad Astra” in this week’s TV column, praising Brad Pitt’s powerful and nuanced performance.
Among the best movies of the summer are “Once Upon a Time in Hollywood,” “The Beach Bum” and “Under the Silver Lake”
After the streaming service FilmStruck shut down, fans turned to the Criterion Channel. Here are five of the best movies on the platform.
The conservative propaganda in “Dragged Across Conrete” turns into a satire of police violence that hides behind a well-made action film.
With “Us,” Jordan Peele has created a phenomenal follow-up to “Get Out,” cementing himself as the most exciting voice in horror films today.
Ultimately, the 2019 Academy Awards provided an entertaining buildup to the evening’s true failure: the “Green Book” Best Picture win.
A few weeks ago, NBA agent Rich Paul announced that his client, superstar Anthony Davis was demanding a trade from the New Orleans Pelicans
CW: Mentions of sexual assault and violence “Bohemian Rhapsody” won Best Motion Picture – Drama at the 2019 Golden Globes in early January. A