The brilliance of “Everything Everywhere All at Once” comes from its equal focus on style and substance, writes film columnist Gerrit Punt PO ’24.
Tag: A24
Being reel: Why the originality of ‘C’mon C’mon’ deserved more recognition
Despite its lack of Oscar nominations, film columnist Adam Osman-Krinsky PO ’25 explains how “C’mon C’mon” represents the future of the film industry.