Film files: You don’t get to hate ‘The Last Black Man in San Francisco’ unless you love it

Though its exploration of gentrification can be shallow, “The Last Black Man in San Francisco” is a heartfealt meditation on the meaning of a home, argues film columnist Hannah Eliot SC ’24.

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Being reel: A second virtual Sundance Film Festival offers sci-fi, social commentary and nostalgia

The 2022 Sundance Film Festival films explored themes like liberal guilt, post-grad life and tech culture, explains film columnist Adam Osman-Krinsky PO ’25.

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A tender rebellion: How Kristen Stewart humanizes Princess Diana’s legacy in ‘Spencer’

In a compelling act of reclaiming her own past, Kristen Stewart powerfully embodies the People’s Princess’ nuances in “Spencer,” for which she deserves an Academy Award, argues Eliza Powers PO ’25.

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Scene it: ‘Dune’ adds ‘spice’ to the big screen

With an epic soundtrack, breathtaking visuals, and top-tier acting, “Dune” goes down in history as a successful book-to-film adaptation, TV and film columnist Rorye Jones PO ’23 asserts.

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Historic wins and huge upsets mark the 93rd Academy Awards

Following a difficult year for movies, the 93rd Academy Awards honored the best in film, with momentous wins and shocking upsets.

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