“Summer of Soul” is a beautifully edited, contextualized time capsule of late-60s Black America in Harlem, pop culture columnist Hannah Eliot SC ’24 writes.
Author: Hannah Eliot
Film files: How ‘The Godfather’ baptized American cinema
Pop culture columnist Hannah Eliot SC ’24 analyzes the impact of “The Godfather” ahead of its 50th anniversary re-release.
Film files: ‘The Worst Person in the World’ captures aching crises of youth and identity
“The Worst Person In The World” shows how life-altering decisions reveal what it means to be human, says film columnist Hannah Eliot SC ’24.
Film files: The breathless, brutal world of Pedro Almodóvar’s ‘Parallel Mothers’
Pedro Almodóvar’s latest film “Parallel Mothers” is a tender and intimate exploration of motherhood, film columnist Hannah Eliot SC ’24 asserts.
Film files: You don’t get to hate ‘The Last Black Man in San Francisco’ unless you love it
Though its exploration of gentrification can be shallow, “The Last Black Man in San Francisco” is a heartfealt meditation on the meaning of a home, argues film columnist Hannah Eliot SC ’24.