Scene one, hot take one: Three top films of the decade and the scenes that made them the best

Film columnist Ben Hafetz PZ ’20 takes a look back at the best films of the 2010s, and the scenes that made them the greatest of the decade.

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The bassline: ‘High Fidelity’ offers modern spin on love and mixtapes

Kyla Walker PO ’22 praises “High Fidelity”‘s soundtrack and its power to influence the narrative and drive the show’s plot forward.

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Swipe right: Mother knows best

Meghan Condas SC ’22 talks about receiving old-fashioned dating advice from her mother and how her relationship with hookup culture has evolved.

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Framed: ‘Prometheus’ — the hunk without the junk at Frary

Though we might see Frary Dining Hall’s “Prometheus” on a nearly daily basis, we don’t appreciate its place in art history nearly enough, writes art columnist Frances Sutton PO ’21.

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Thirst case scenario: What I learned from going out with 7 guys in 7 days

Cecil the Sagehoe details a saucy week full of dates, hookups, and self-reflection. “My path to self-discovery involved roundabouts, shitty lube and tons of introspection, but I came out with a better understanding of what I want from my interactions with men,” they write.

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Regularly scheduled programming: To all the TV couples I’ve loved before

TV columnist Claire DuMont SC ’23 takes a look back at the best TV couples of all time, from the heartwarming “Parks and Recreation” duo of Ben and Leslie to the toxic “Succession” pairing of Tom and Shiv.

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Scene one, hot take one: Lost love and lost Oscars — A review of ‘Portrait of a Lady on Fire’

Ben Hafetz PZ ’20 discusses “Portrait of a Lady on Fire”‘s artful and aching portrayal of first love and why it warranted an Oscar nod.

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