Noise from the Underground: Kim Gordon turns to trap with new album ‘PLAY ME’

Since the beginning of her music career with Sonic Youth, Kim Gordon has been an influential figure for the alternative rock scene. At 72, she refuses to give into the forces of mainstream music and releases her third solo industrial trap record ‘PLAY ME’. Andrea Miloshevska PO’28 explores the album’s unexpected highs and lows.

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OPINION: Whatever we think rap is, Ceechynaa is expanding it

Rapping “I’m peggin’ that man at the back of the bus,” UK drill rapper Ceechynaa flips the script on rap’s history of female objectification by placing men in the hypersexualized roles women have traditionally occupied in the genre, Zena Almeida-Warwin PO ’28 argues.
Male rappers have long objectified and degraded women in their lyrics without it defining their credibility or artistry. Yet, when a female artist like Ceechynaa mirrors that same energy, it’s met with outrage.

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Amped up: Brockhampton trades mayhem for introspection on ‘Roadrunner’

Brockhamton’s latest project displays maturation –– but that’s not necessarily for the best, music columnist Mirabella Miller SC ’23 writes.

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Debut project “Malibu Ken” rejects traditional rap norms with surprising introspection

Malibu Ken is a new hip-hop duo, consisting of rapper Aesop Rock and electronic musician Tobacco. In their eponymous debut album, the two work surprisingly well together. Credited as one of the most verbose MC’s of modern-day hip hop, Rock mixes clever, poetic rhymes with intentionally emotional vocals, while Tobacco

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