Stories Retold: ‘Wuthering Heights’ reaches new lows

In this article, Ava Chambers PO ’28 reviews the movie adaptation of “Wuthering Heights” by Emily Brontë remade by Emerald Fennell. She praises the beauty of the scenery but laments some major deviations from the source material.

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OPINION: You should judge a book by its cover

The age-old adage “don’t judge a book by its cover” is a good directive in general life, but Elias Diwan PO ’28 argues we can leave that judgement to the door when it comes to actual books. Book covers have become a site for formulation and homogenization, Diwan believes that we shouldn’t leave the cover at the door.

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Humanities studio presents Stephanie McCarter on female agency in the classics

On April 3, Stephanie McCarter spoke for the Humanities Studio’s Connections series about restoring female agency and voice in literary translation. She is most well-known for being the first woman in 60 years to fully translate Ovid’s “Metamorphoses.”

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Claremont Mosaic: Monique Saigal-Escudero: How her grandmother’s courageous act saved her from the Nazis

Born in Paris, France in 1938, Monique Saigal-Escudero is an Emerita Professor of Romance Languages and Literatures at Pomona College. At just three years old, during the peak of Hitler’s reign in Europe, her grandmother threw her on a train headed for a small city in Southwestern France: an act that ultimately saved her life. Her passion for storytelling would soon bring her back to this history, and once again place her grandmother’s courageousness front and center in her life.

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Speculative Fixations: Who runs the world? In ‘Herland,’ it’s girls

What does Trump’s recent anti-trans executive order have in common with the 1915 feminist utopian novel “Herland”? Both explore what it means to be an ideal woman. Reading “Herland,” Vivian Fan PO ’28 examines this ideal and its present-day implications.

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Word for Word: Stop calling ‘Naomi’ the Japanese Lolita

Is “Naomi” by Jun’ichiro Tanizaki the “Japanese Lolita,” or is this nickname just a way to inferiorize a non-Western book? Anna R. Naigeborin PO ’28 compares the two novels and settles this debate.

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Word for Word: The allure of ‘Bonjour Tristesse’

After an improbable book recommendation from her grandpa, Anna R. Naigeborin PO ’28 wonders if a book written by a teenager in 1954 could move her teenage self in 2024. The charm of “Bonjour Tristesse,” she finds, holds true even 70 years later.

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