The L-Word: Quegger gets the last word for the last party of the semester

On April 10, the Scripps Quegger made its second recurrence this semester — with a bang. The “L-Word” themed party created a space for the queer community to revel, dance and be merry. Queggers are a beloved Scripps tradition that faced extinction after COVID-19, but have now returned to stay.

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Revamping the Regency (era): ‘Pride and Prejudice’ production puts a new spin on an old story

This past weekend, Pomona’s production of “Pride and Prejudice” went up in the Seaver Theatre. The play, written by Kate Hamill, is a hilarious and exciting adaptation of Jane Austen’s classic novel. The show was a fun experience for both die-hard fans of the novel and complete strangers to Regency-era literature alike, and the production team put a lot of effort and thought into aspects such as costume design.

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Freedom First: Keith LaMar’s powerful spoken-word performances return to Claremont

On April 10 at 7 p.m., 5C students gathered in Edmunds Ballroom at Pomona College to experience death row prisoner Keith LaMar’s spoken word poetry, accompanied by a live jazz band. LaMar works closely with members of the 5C Prison Abolition Coalition, who have brought LaMar’s work to Claremont four times.

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‘Art in the Age of AI’ with professors Virginie Duzer, Mark Allen and Dustin Stokes

On March 25, the 5C Artists’ Coalition and the Pomona Student Union hosted an “Art in the Age of AI” talk at Claremont McKenna College’s Bauer Center. The talk began with a short presentation by Dustin Stokes, who provided context on the mechanisms of generative AI. For the duration of the talk, student moderator Maggie Zhang PO ’26 asked Stokes and the other panelists questions about the relationship between art and artificial intelligence across various contexts and academic disciplines.

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Beyond the headlines: Amanda Knox on grief, media and moving forward

When Amanda Knox took the stage at Scripps’ Garrison Theater on Wednesday, March 24, she didn’t just revisit the headlines — she reclaimed her story. Once cast as a global villain after the murder of her roommate, Meredith Kercher, Knox reflected on the trauma of grief compounded by suspicion, media frenzy and a justice system that moved too quickly to judge.

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