Regularly scheduled programming: ‘The sidekick is the lead’ on ‘Euphoria’

TV columnist Claire DuMont SC ’23 reflects on her fondness for the character Lexi on “Euphoria” and praises her season two character development.

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Let’s spill the pop culture tea: ‘Squid Game’ is more than just gory entertainment

The violence of “Squid Game” isn’t merely for entertainment value, rather it and other elements of the hit show provide a powerful critique of capitalism’s consequences, argues Anna Tolkien CM ’24.

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Sun, sand, coup d’etats: ‘Bachelor in Paradise’ cast challenges its power structure

When you think of “The Bachelor,” feminism probably doesn’t come to mind. Nevertheless, season seven subverts itself, with contestants standing up for each other and taking matters into their own hands, guest columnist Eliza Powers PO ’25 asserts.

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Film philosophy: ‘Love, Death & Robots’ values individual change over unrealistic goals

The episode “Pop Squad” from “Love, Death & Robots” asserts that we are responsible for individual-level change when societal change is unfeasible, argues TV columnist Simone Bogedal PO ’24.

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