Parishi Kanuga CM ’26 came to the 5Cs excited to spend time on the numerous green spaces provided, but has only been disappointed.
Opinions
OPINION: Why Ariana Grande’s “Eternal Sunshine” perfectly captures the 5C dating experience
Ariana Grande’s newest album reflects the struggles of dating, and Tess McHugh PO ’25 thinks that 5C students could learn a thing or two from her lyrics.
OPINION: Body hair and bare ass: I want to see it all
Through the possibility of walking to Trader Joe’s with a bare ass swinging in the wind, Jada Shavers SC’26 presents an entirely different world.
OPINION: Roots and routes: Closing the distance between identity and home
Feeling homesick and lost, Grace Kim SC ’27 shares finding comfort – and a part of herself – with Scripps’ Asian American Sponsor Program (AASP).
OPINION: The illusion of choice feminism
Tired of the “not like other girls” cliche? So is Anjali Suva PO ’27, especially when it disguises a form of feminism that sets extremes for the women it is supposedly “setting free.”
OPINION: The problem with ‘problematic’
The popular online space of BookTok raises an abundance of critiques, but Anjali Suva PO `27 questions its claims to harmful and problematic material.
OPINION: Stop saying sorry
Catching herself in an unnecessary apology, Parishi Kanuga CM ’26 is peeved at the instinctual “sorry” that women are socialized to.
OPINION: The ultimate plug for the vegetarian diet
For the past two and a half months Tess McHugh PO`25 switched to a vegetarian diet finding unexpected results and unsettling backlash.
OPINION: Bringing back community gardens with Huerta del Valle: Setting an example for community gardening everywhere
Cameron MacDonald PZ ’25, Fia Powers PZ ’25 and Wynne Chase PZ ’26 are finding a solution to the trauma, health risk, food insecurity and a general lack of care for communities through the work of Huerta Del Valle’s community gardens.
OPINION: I’m not ‘just a girl’
Social media is buzzing with bows, ruffles, matcha lattes and all things pink, but Anjali Suva PO ’27 feels like it is all fake.