‘The Moors:’ Murder and existential angst

“The Moors,” Pomona College Theatre’s first spring production, asks what it means to be truly seen and to see others as they wish to be seen. Running from March 7-9, the play was at once a Victorian drama, queer romance and dark comedy.

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‘The Play that Goes Wrong’ showcases commitment to the bit

From Nov. 15 to 17, “The Play That Goes Wrong” turned Pomona College’s Seaver Theater into a whirlwind of laughter and chaos. The comedy-within-a-comedy follows a theater group’s attempts to stage a murder mystery.

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What’s in a place? Pomona College Mainstage’s ‘Kentucky’ tackles a complicated homecoming

From April 4-7 at Pomona College’s Seaver Theater, the semester’s Mainstage production “Kentucky” captivated audiences. Directed by Margaret Starbuck and written by Leah Nanako Winkler, the play delves into the intricate ways in which our origins shape our life paths.

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Between life and death: The transcendent theater of ‘Everybody’

“Everybody,” a play directed by Fran de Leon, ran for six shows at Seaver Theater from Feb. 29 to March 3. The play explored mortality and its relationship with universal human concepts through a lottery system where actors drew roles live, adding unpredictability to each performance. The narrative delved into Everybody’s journey as they interacted with personifications of Friendship, Kinship, Cousin, and Stuff, highlighting the transient nature of relationships and material possessions in the face of death.

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We are all ‘Anon(ymous)’: The power of representation in Pomona’s final show of the semester

Blue light rippled across a pile of clothes, creating ocean waves on the stage of Pomona College’s Seaver Theater. Anon(ymous), a play directed by Sylvia Cervantes Blush, ran for six shows from November 16 to 18 on the mainstage at Seaver Theater. Adapted from Homer’s “The Odyssey”, it tells the story of a refugee finding his way back to his mom after they were separated by a storm during the journey to the United States.

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‘Machinal:’ Finding connection in a dystopian drama

Written by Sophie Treadwell in the 1920s, “Machinal” is the the fourth and final production in “Inevitable Evolutions,” Pomona’s theater department season. On a highly stylized set, characters operate as cogs in a larger capitalist machine, with each actor taking on multiple roles, suggesting people are interchangeable in a mechanized society that affords little room for individual aspirations or identity. Even so, cast and crew found unexpected community inhabiting this dark material.

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Finding the modern in Chekhov’s ‘Three Sisters’ at the Seaver

Three Sisters, the third of four productions in “Inevitable Evolutions,” the title of Pomona’s theater department season, delivers a powerful portrait of growing up. The 5C production, which opened at the Seaver Theatre on Thursday, demonstrates why Chekhov has continued to captivate audiences for more than a century.

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‘American Dreams/Asian Nightmares’ combats anti-Asian hate through performance

At the Garrison Theater on Saturday, Oct. 29, father-son duo Hao Huang and Micah Huang PZ ’13 performed “American Dreams/Asian Nightmares.”

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Cutting the stigma: ‘Scissoring’ explores intersections of religion, homosexuality, historical mysteries and self-actualization

The play “Scissoring” features Catholic schoolteachers, the ghost of Eleanor Roosevelt and a heartfelt exploration of the tension between religion and identity.

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