The Writing Process: Night surfin’

Is your writing stuck? Look no further! Otto Fritton PZ ’27 returns with his not-so-weekly column, “The Writing Process.” In this edition, he analyzes a young Stephen King’s short story, “Night Surf.”

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The Daily Palette: Dislodging popular culture in ‘Interference Patterns’

Following little Meiya as she runs around her father’s store, carrying pens and paper, Meiya Rollins PO ’29 reflects on her and her father’s shared love of comics in the exhibition “Interference Patterns” at the Benton Museum of Art at Pomona College. Consisting of John Sparagana’s work, who splices and remixes popular images, she instantly gravitated towards his piece “Superman Variations.” Rollins questions her interest in this piece as she says, “What context is Sparagana wanting to take away from this popular comic, and what is he wanting us to see?”

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Student bands breathe life into prom at KSPC’s ‘Centennial Circus’

On April 18, KSPC — the 5Cs’ broadcasting radio station — hosted its annual themed prom, “Centennial Circus.” While this year’s theme fit perfectly alongside KSPC’s other typical, silly prom themes, the set list set this prom apart: a lineup made entirely of student bands and artists.

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Creating and letting go: Tibetan monks share message of impermanence at Benton Museum

From Wednesday, April 15, to Friday, April 17, monks from the historic Gaden Shartse Monastery in India visited Pomona College’s Benton Museum of Art. Their ceremony centered around a large mandala as well as guided meditations and valuable lessons throughout. On Friday, the mandala was symbolically disassembled, providing a teaching on the impermanence of life.

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Audrey Between Frames: ‘Whisper of the Heart’ and interior worlds

Audrey Green SC ’27 explores Hayao Miyazaki’s “Whisper of the Heart,” and the moments when we are forced from our quietude. She reflects on the parallels of her own childhood writing processes and those of the main character, Shizuku Tsukushima, and what our passions reveal about the self once we share them. “For a young writer such as Shizuku, this step is intertwined with the act of growing up itself, of learning that to be understood, you must first allow yourself to be seen by the world, even imperfectly,” Green writes.

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