“One Twice Melody” exemplifies the brilliance of Beach House by blending experimentation and consistency, writes music columnist Nicholas Black PO ’24.
Music
Selected ambient works: Black indie artists deserve our attention
As the streaming era of music emerges, Black indie artists are finally getting the recognition they deserve, argues music columnist Nick Black PO ’24.
Strike a chord: Taylor Swift’s ‘Red (Taylor’s Version)’ highlights singer’s evolution
“Red (Taylor’s Version)” allows Swift to reconceptualize and reclaim her work, argues music columnist Ava Hinz SC ’25.
Playlist: Make it to break, whatever it takes!
As Thanksgiving break approaches, so do the deadlines. Here are 11 songs to get you through this stressful time, from Hannah Weaver SC ’24.
Strike a chord: Remi Wolf’s technicolor world of chaos in ‘Juno’
Remi Wolf’s debut album bursts with colorful visuals and energetic melodies while exploring a range of emotions, writes music columnist Ava Hinz SC ’25.
Strike a chord: Streaming can’t compares to live performances
Music is “meant to be heard live,” writes music columnist Ava Hinz ’25 of her recent experience at a recent Bad Suns concert and the return of live music.
‘Sex Education’ season three soundtrack mixes the new and nostalgic
The season 3 soundtrack of “Sex Education” smoothly blends the retro and modern feels of the show, writes Barbara Norton PO ’25.
Playlist: “Existential Dread on a Foggy Day”
Here are some songs to guide you through foggy feelings induced by the cooler weather lately.
Strike a chord: Genre-inclusivity grants freedom to artists, listeners
Music columnist Ava Hinz SC ’25 argues that genre-inclusive playlists and albums grant artists more creativity and give listeners greater options.
Lorde ushers in a new era with ‘Solar Power’
Lorde’s third album “Solar Power” marks a refreshing beginning of a happier Lorde, writes Barbara Norton PO ’25.