Between life and death: The transcendent theater of ‘Everybody’

“Everybody,” a play directed by Fran de Leon, ran for six shows at Seaver Theater from Feb. 29 to March 3. The play explored mortality and its relationship with universal human concepts through a lottery system where actors drew roles live, adding unpredictability to each performance. The narrative delved into Everybody’s journey as they interacted with personifications of Friendship, Kinship, Cousin, and Stuff, highlighting the transient nature of relationships and material possessions in the face of death.

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Rom-Com in Review: ‘Palm Springs’ and cosmic emptiness

“Palm Springs” (2020) takes the time-loop setup of “Groundhog Day” and dresses it up with apocalyptic nihilism and wedding-guest angst. Through the heaviness, the film remains charming and laugh-out-loud funny, writes rom-com columnist Nadia Hsu PO ’27.

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Film philosophy: ‘Love, Death & Robots’ values individual change over unrealistic goals

The episode “Pop Squad” from “Love, Death & Robots” asserts that we are responsible for individual-level change when societal change is unfeasible, argues TV columnist Simone Bogedal PO ’24.

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