MULTIMEDIA: Benton Museum’s new “Interference Patterns” exhibit reimagines photography

On Feb. 28, the Benton Museum of Art at Pomona College welcomed 7C students, faculty and community members for the opening reception of the new exhibits “The Meditative Object” and “John Sparagana: Interference Patterns.” TSL’s Multimedia team captured behind-the-scenes footage of the exhibition.

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The Feline Stare: Finding myself in Hiroshige’s Ricefields

Am I a cat? Meiya Rollins PO ’29 reflects on the “Art After Hours” event at the Benton Museum of Art. She marvels at how artist Utagawa Hiroshige places the viewer not in the festival, but at a distance, in a home made of crisp diagonals that lead the eyes to the festival and the sunset that surrounds Mount Fuji.

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Passing the torch: Alison Saar and evolving Black legacies at The Benton

Alison Saar SC ’78 is one of five artists featured in The Benton’s latest exhibit, “Black Ecologies in Contemporary American Art.” While Saar is just one piece of this show, she stands as a leader of the cultural canon of the Claremont Colleges, continuing the efforts of her family and mentors to uplift Black art at the 5Cs and beyond.

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Escaping solitude in art: ‘Parallel Play’ and ‘One Last Thing Again’ at the Benton Museum

The Benton Museum of Art held an opening reception for two of their new exhibits, “Jonathan Lethem’s Parallel Play” and “One Last Thing Again,” on Feb. 15. Both shows map a web of artistic relationships and explore the intersections between writing and visual art.

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Chakaia Booker and Essye Kempler on sculpture, printmaking and the legacy of Robert Blackburn

“I just fell under [her] spell,” Victoria Sancho Lobis, director at Pomona’s Benton Museum of Art, said, explaining why she invited Black artist Chakaia Booker for an artist talk. On Nov. 8, Essye Klempner, director of programming and partnerships at the Robert Blackburn Printmaking Workshop (RBPMW), spoke with friend and

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To look from above: ‘The Instrumental Image: Aerial Photography as Problem and Possibility’ at the Benton

The exhibit “The Instrumental Image: Aerial Photography as Problem and Possibility,” on display at the Benton Museum from August 2023 to January 2024, examines the historical use of aerial photography in war, imperialism and surveillance.

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Art21 Screening: The tangible process of art

The Benton Museum of Art at Pomona College recently hosted a screening of two documentaries by Art21, a nonprofit organization dedicated to contemporary art. The documentaries, “Everyday Icons” and “Bodies of Knowledge,” highlighted the artistic processes of Rose B. Simpson and the Guerrilla Girls, respectively.

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Algorithms and organisms: Ken Rinaldo’s artistic exploration of technology and living systems

Ken Rinaldo, a celebrated artist, spoke at the Benton Museum of Art on Nov. 17 about his bio-art works, which meld technological and natural realms to analyze and amplify living systems. His work included robotic art installations and sound sculptures. His work addresses biological concerns and envisions interspecies and trans-species communication. The talk concluded with a workshop where participants created microbial self-portraits.

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Indigenous resistance at the Benton: ‘An Exploration of Memory, Resistance, and Creativity in a Time of Environmental Flux’ by Leah Mata Fragua

On Nov. 2, the Benton Museum of Art invited Leah Mata Fragua to speak on the climate crisis’s impact on the practice of Indigenous art. Fragua is a place-based artist and a member of the yak tityu tityu yak tiłhini Tribe, located on the California coast. Fragua presented a talk titled “An Exploration of Memory, Resistance and Creativity in a Time of Environmental Flux,” followed by a conversation with Dr. Meranda Roberts regarding ephemeral art and advocating for change in art institutions.

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“June Harwood: Paintings” and “Tracing the Edge”: Artist Panel Explores the Legacy of Southern California Hard Edge Painting

On September 9th, Pomona College’s Benton Museum of Art celebrated the opening of its two fall exhibitions “June Harwood: Paintings” and “Tracing the Edge,” with an artist panel and reception. The exhibition displayed June Harwood and other contemporary abstract artists’ famous works through personal stories and connections.

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