The poem of ecstasy: duality of perfect love in Shunkinshō

What makes love perfect? Can it survive when it stops being human? Leslie Tong PO ’29 returns with her weekly column, attempting to answer these two questions through her analysis of Shunkinshō, Junichiro Tanizaki’s 1976 work.

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Blueprint of fandom: Emma Chamberlain, the anti-influencer who influenced everything

The original VSCO girl? Bianca Mirica PO ’29 answers this with her weekly fandom column. In this issue, she discusses Emma Chamberlain’s rise to fame, continued longevity and lasting success as a cultural icon. For Mirica, Chamberlain became –– and stayed –– famous because she presented reality, not some false narrative. Her earliest vlogs in her teenage years revealed to millions that it was perfectly acceptable to be a teenage girl who didn’t have their life figured out.

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Anime Film Features: When love blows up in your face

Imagine first meeting a person and falling in love with them, and they seem to reciprocate the same feelings towards you. Everything seems to be going right, only to find out that this person is actually out to kill you. How would you react, and how would you look back on your past experiences with this person? Columnist Joon Kim PO ‘26 explores these questions as he looks through this movie.

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Office Hours for the Soul: Pitzer’s Amanda Lagji on finding purpose in the unexpected

Siena Giacoma PZ ’27 brings us the story and advice of Pitzer College professor of English and world literature, Amanda Lagji. Giacoma highlights the innovative course she’s teaching next semester and discusses how Lagji’s decision to study abroad in college altered her career path.

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Deep Fried Cinema: Aliens, dismemberment and psychosexual terror

It’s October, and spooky season is here! Ava Samson PZ ’28 and Angelina Liu PZ ’28 have arrived, with their first horror review. This week, they discuss Andrzej Żuławski’s film “Possession” (1981).

Marked by excellent camera work, the film explores the main character Anna’s abandonment of
her family and her husband, Mark, seemingly for an extramarital affair. However, as Mark digs deeper into her erratic behavior, he discovers a truth far more grotesque and otherworldly than he could have imagined.

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