The poem of ecstasy: desire and its ulterior revelation in “Futon”

How should we think about love that is both genuine and impure? Leslie Tong PO ’29 explores this question in her discussion of “Futon” by Katai Tayama and the Japanese I-novel.

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Office Hours for the Soul: Professor Belinda Tang on pivoting

Three years ago, Siena Giacoma PZ ’27 planned to become a veterinarian. Now, she’s studying creative writing. In this week’s Office Hours for the Soul, Giacoma sits down with Professor Belinda Tang to talk about non-linear paths, KnitTok and the discipline of sitting with uncertainty.

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MULTIMEDIA: Pomona College Art Department’s Look Without Fear Exhibition

Pomona College Art Department’s “Look Without Fear” exhibition was on view February 6th, featuring work by 17 artists from the 5Cs that highlight the art of noticing. TSL’s Multimedia team captured behind-the-scenes footage of the exhibition.

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Stories Retold: The rise and fall of modern Greek mythology retellings

Where did all the Greek mythology retellings come from, and where did they go? How did a genre seemingly pop up out of nowhere and then wane just as quickly? Ava Chambers PO ’28 covers the rapid rise and fall of the feminist Greek mythology novel in a new column, Stories Retold.

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5Cs After Dark: Valentine’s Day sucks. Let’s talk about it.

Valentine’s Day is coming alongside collisions of love, friendship and expectations. Arianna Kaplan SC ’27 and Siena Giacoma PZ ’27 take it on in their new column, 5C After Dark, unpacking the uncomfortable question many students ask every year: is spending Valentine’s Day alone empowering, or just plain sad?

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The Daily Palette: Tangles of Resistance in She Opens the Door

Starting with a poem that channels her feelings of the current state of the world, Meiya Rollins PO ’29 reflects on the exhibition She Opens the Door: Women Artists and Writers Shape Language and Space at the Claremont Lewis Museum of Art. She admires how Culverson, an LA-based artist, creates a cascading waterfall of fabrics that resists the binaries of society in her piece Float.

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