Spring on the Mounds: Swap, shop, reflect

On April 12, students enjoyed live music, art, printmaking and clothing sales at the Pitzer Mounds. The Pitzer Gallery Art Fellows showcased their pop-up art exhibition, uniquely displayed inside two U-Haul trucks.

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The Claremont Art Equity Initiative: Bridging the gap between art history and economics

Saturday, March 29, marked the Claremont Art Equity Initiative’s (CAEI) first major event as a new and emerging club at the 5Cs. More than 75 students and Claremont community members gathered on the rooftop of the Kravis Center for a silent auction of student artwork.

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Passing the torch: Alison Saar and evolving Black legacies at The Benton

Alison Saar SC ’78 is one of five artists featured in The Benton’s latest exhibit, “Black Ecologies in Contemporary American Art.” While Saar is just one piece of this show, she stands as a leader of the cultural canon of the Claremont Colleges, continuing the efforts of her family and mentors to uplift Black art at the 5Cs and beyond.

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‘Black Ecologies’: The Black body and nature

“Black Ecologies in Contemporary American Art” opened on Feb. 13 at Pomona College’s Benton Museum of Art. The exhibit posits the environment as an active participant in shaping the lives and histories of Black communities.

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Escaping solitude in art: ‘Parallel Play’ and ‘One Last Thing Again’ at the Benton Museum

The Benton Museum of Art held an opening reception for two of their new exhibits, “Jonathan Lethem’s Parallel Play” and “One Last Thing Again,” on Feb. 15. Both shows map a web of artistic relationships and explore the intersections between writing and visual art.

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OPINION: Contemporary art must put individual before identity

As contemporary art shifts its focus from form to identity, does it still challenge the viewer, or has it become a closed loop of self-referential politics? Elias Diwan PO ’25 argues that contemporary art’s fixation on representation has turned inclusion into a substitute for communication, sidelining quality and meaningful engagement with the work itself.

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‘My hand followed hers’: Exploring a mother-daughter relationship through April Katz’s ‘Marking Time’

Exploring a mother and daughter’s relationship through the role of calendars in day-to-day life, April Katz’s “Marking Time” deals with themes of loss, grief and the passage of time. The exhibit opened at Scripps College’s Clark Humanities Museum on Feb. 6.

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