Pomona planetarium revival brings the stars to campus

Though it’s been around since 2015, Pomona College’s planetarium has in recent years been largely unknown and unused outside the physics and astronomy department. Beginning last fall, efforts to revitalize the planetarium have turned it into a means of connection to both local communities and the night sky.

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Vincent Valdez discusses how art can counter apathy

Vincent Valdez’s large-scale portraits confront an apathy and amnesia that pervades the American psyche. At this year’s Pitzer College Art Galleries Pepper Distinguished Visiting Artist and Scholar Lecture, the artist discussed the myths we tell ourselves and how art can work against them.

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To look from above: ‘The Instrumental Image: Aerial Photography as Problem and Possibility’ at the Benton

The exhibit “The Instrumental Image: Aerial Photography as Problem and Possibility,” on display at the Benton Museum from August 2023 to January 2024, examines the historical use of aerial photography in war, imperialism and surveillance.

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Ways of Seeing: Gala Porras-Kim’s drawings and preserving the ritual

When does an object become an artifact? When does the sacred stop being sacred? These questions are explored by art columnist Nadia Hsu PO ‘27 through her exploration of artist Gala Porras-Kim’s exhibition “Between Lapses of Histories” at the Pitzer College Art Galleries.

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Ways of Seeing: Nicole Duennebier and painting decay

Nicole Duennebier’s solo exhibit Faint of Heart, at Nicodim Gallery in Los Angeles, takes from the still life tradition of Dutch Old Masters to imagine a beautiful dreamscape of decay. Arts columnist Nadia Hsu PO ‘27 writes about these still life paintings and her experiences seeing them.

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Rom-Com in Review: ‘Palm Springs’ and cosmic emptiness

“Palm Springs” (2020) takes the time-loop setup of “Groundhog Day” and dresses it up with apocalyptic nihilism and wedding-guest angst. Through the heaviness, the film remains charming and laugh-out-loud funny, writes rom-com columnist Nadia Hsu PO ’27.

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